After shaving only one line on his face, Richie gives up and whispers “I’m going to kill myself tomorrow,” his first and only line in the scene. The beautiful use of Elliott Smith's "Needle In The Hay," and Paul Simon's "Me & Julio Down By The Schoolyard" is, in the scene where Royal takes Ari and Uzi to see the city. ( Log Out / Symbolically, blue represents sadness, and the shift of color shows how dark Richie is feeling in that moment. This scene reminded me of one of the scenes in Pink Floyd’s film “The Wall” where the protagonist shaves off all his hair and transforms into another person. The second scene I chose occurs right after Richie, who is in love with Margot, finds out about her wild and secret past. Mise en Scène - The Royal Tenenbaums by Scarlett Losch MIse en Scène The Royal Tenenbaums Created by: Scarlett, Marta & Sofya September 21st, 2018 Summary Summary Complete a formal analysis of the mise en scène for The Royal Tenenbaums Focus on how the setting, lighting, costume & makeup, and staging & performance further the themes The characters Royal, Margot, Richie, Chas, Ari and Uzi are visiting a graveyard to see Royal’s mother’s grave (Chas and Richie’s grandmother) and also Chas’s wife’s grave. Scott: By now, Wes Anderson’s meticulous, decorous style has become both instantly recognizable and widely imitated, nearly to the point of parody. Something that makes this particular scene stand-out is that it’s tinted entirely in tones of blue, whereas the rest of the film is in warm, yellow tones. Analysis The humor of the film is often absurd. Edit In the Box Office, The Royal Tenenbaums production earned a profit of $52.3M (Rotten Tomatoes). The music definitely made the scene in both films. I agree with both you and Patrick that the music makes the scene. to illuminate the retrogressive gender and racial ideas that Anderson uses to constitute various performances or models of white masculinity. When I saw the razor and blood on his arms I wasn’t totally sure if he had actually slit his wrists or if thats just what he imagined because many people contemplate suicide but could never actually go through with it. The camera then switches to the other side of the bathroom, acting as more of an observer as we watch Richie sink to the floor. “Needle in the Hay” by Elliott Smith plays, and the melancholy tone of the song is incredibly impactive. The Royal Tenenbaums is a 2001 American comedy-drama film directed by Wes Anderson and co-written with Owen Wilson.It stars Danny Glover, Gene Hackman, Anjelica Huston, Bill Murray, Gwyneth Paltrow, Ben Stiller, Luke Wilson, and Owen Wilson.Ostensibly based on a nonexistent novel, and told with a narrative influenced by the writing of J.D. The scene changes to a point of view shot showing Richie looking down at his wrists in the sink after he’s cut them. Change ), You are commenting using your Twitter account. A prop that makes a reappearance in the hospital scene is Margot’s cigarettes. The bathroom suicide scene marks a sudden change from the super-stylized appearance of the movie, and instead feels raw and realistic. However, when they are brought back together by their father, they ultimately get closer to each other and their father as they push through the barriers they’ve set up between themselves. The snipping of the scissors, for example, although consistent with the action onscreen, would have distracted from the song. Now that I have taken the time to really think about how the film was made and read your essay on this scene, I see how beautiful the movie really is. He returns back to the family home and attempts suicide in the bathroom. ( Log Out / This scene occurs after Richie discovers some of the many secrets and past lovers of his adopted, married sister Margot whom he’s secretly been in love with all of his life. Richie, for example, sports a tennis polo, blazer, headband, wristbands, and sunglasses even after the conclusion of his athletic career, reflecting his very static place and mindset in life. The disturbing and heartfelt nature of this scene was perhaps worsened by Elliott Smith’s own suicide two years later. Wes Anderson is known for his highly-stylized composition; framing and blocking his scenes impeccably. The darkness surrounding him coincides with the scene’s depressing tone. When Richie shaves his hair and beard and removes his tennis sweatband, it marks a turning point for the character. Change ), You are commenting using your Google account. But I love still three, I think it is so beautiful and Ii agree with what you said about the framing of his hands on the sink and the use of the color blue of everything and then we just see the red running down his arms, I feel this shot is extremely powerful. The first and most crucial scene in The Royal Tenenbaums is Royal telling the children that he and their mother Etheline are separating. Still 2: This medium close-up shot of Richie is used consistently to show the misery in his facial expression. The Royal Tenenbaums is the third movie Anderson and Owen Wilson wrote together, and the director mentions how their writing collaboration has been different in every one. The placing of the actors in the family dining room immediately builds an emotional tale. With 'The Royal Tenenbaums', Wes Anderson turns his lens to the American family, warts and all. Royal buys a Dalmatian from the firefighters called to the scene, and presents it to Chas to replace the deceased Buckley. Everything on screen, whether it… ( Log Out / This scene introduces the characters, setting, and conflict quickly and unforgettably. First, we see that her ring-finger on her right hand is made out of wood. ( Log Out / It is a comedy that was directed by Wes Anderson, who also wrote the film story script as well, along with Owen Wilson. Well, my shortest and best answer is: The Royal Tenenbaums tries to be many things, but isn't any one thing forcefully enough to carry much weight or significance. He opens his mouth as if to scream, but no sound can be heard. This is a great choice of music (verbal technique) to portray the meaning and feeling of the scene. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. The Royal Tenenbaums deals with strong themes like family and life and death, and the setting of the graveyard allows the characters to reflect on their pasts and start to scratch the surface of their own family issues. Richie’s physical transformation is also significant due to the uniformity in costume design which Anderson used to create a highly stylized world within the film. This exemplifies the importance of framing the central figure in the composition of a shot. This discontinuous editing calls attention to itself due to the manner in which each cut was spliced together. Change ), You are commenting using your Twitter account. The “Needle in the hay” scene, from “The Royal Tenenbaums”, is so named because the song being played in the background of the scene is “Needle in the hay” by Elliott Smith. Here the somber melody and melancholy lyrics create a feeling that this man is depressed before we even see him attempt suicide. After Raleigh tells Margot’s family she’s been carrying on an affair with Eli, he asks her for a cigarette. Page 12 of 19 - About 183 Essays ... Summary: James Fenimoore Cooper begins his patriotic novel, The Spy, a Tale of the Neutral Ground, by first setting the scene for his book. From his well-composed mise en scene to classic pan shots, his style has surely become an acclaimed signature. There was never actually a divorce. Royal Tenenbaum (Gene Hackman), the patriarch, left home abruptly some years before and has been living in a hotel, on credit, ever since. The mood of the scene is established largely with the help of the soundtrack. Wes Anderson is an American film director who is known for his fleet-footed, unique, bizarre and humorous film productions. The camera angle is also radically altered when Dudley finds Richie. The tempo of the shots also plays an important role in establishing a rhythm, adding to the artistic value of the scene. One of the aspects that makes the scene so emotional and effective is the song choice. Sandy Reynolds-Wasco on “The Royal Tenenbaums” “Even what never appears in the frame can influence the actor’s performance, so it all counts, it all has to be truthful, or at least truth-y. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. This represents a cursory reflection on his former self. The camera shows a close-up of his hands fingering the razor blade. The Royal Tenenbaums Summary A wealthy couple living in New York City, Royal and Etheline Tenenbaum, separate. Two days later, Etheline and Henry are finally married in judge's chambers. Furthermore, the close-up is key to viewing the jump cuts which show the progression of his haircut. The subsequent shots over his shoulder in which we see his mirror reflection truly offer point of view shots in which Anderson forces us to look at Richie as he views himself, both literally through the mirror and symbolically by conveying his despair through his staging choices, such as color and lighting. Still 3: This point of view shot of Richie's bleeding wrists emphasizes the meticulous composition Anderson strived for to frame the subject (the hands) amongst his discarded wristbands and hair. ( Log Out / ; The orchestral cover of "Hey Jude" during the first chapter of the film. After he cuts his wrists an slumps to the floor, the volume of song increases, adding gravity and intensity to the moment. Richie Tenenbaum’s suicide attempt in Wes Anderson’s The Royal Tenenbaums is an artistically composed scene due to the cinematography, discontinuous editing, melancholic music selection and mise-en-scène. The Royal Tenenbaums deals with strong themes like family and life and death, and the setting of the graveyard allows the characters to reflect on their pasts and start to scratch the surface of their own family issues. In this thesis, I conduct a critical textual analysis on . During the American Revolution, after the British had captured the island of New York, a small county named Westchester had become a common ground. The Royal Tenenbaums deals with failure and unreached potential, and as we see Richie change before our eyes, he’s shedding his past. It is the movie that inspired me to write about film and to pursue a career in screenwriting. Lyrics such as, “I’m taking the cure so I can be quiet whenever I want,” are thought to reference suicide. This scene is a climax in the movie, and afterwards we see the relationship between Margot and Richie evolving. When Chas first excuses himself from the group to see his wife’s, Royal (in his typical insensitive manner) replies, “Oh, that’s right, we’ve got another body buried here, haven’t we?” and then proceeds to hand Chas some flowers from the grandmother’s grave. The director manipulates sound using a sudden asynchronous silence when Dudley walks in to the bathroom and discovers Richie’s bleeding and unconscious body lying on the floor. Teaming up again with composer Mark Mothersbaugh, who has done the scores for most of Wes’s films, the music is beautiful and somber; a combination of violin and the sound of plucking strings. Change ), You are commenting using your Facebook account. In my mind it is one of the most beautiful and expertly made films of recent memory. There is a scene where Margot Tenenbaums is holding a block of wood for a lumberjack to chop, in the process she gets her ring finger cut off, it isn't shown on screen but it can be painful to watch. Thus, by incorporating “Needle in the Hay” as the exclusive source of sound in the scene, rather than just as a background accompaniment, Anderson emphasizes it’s role in setting the tone. The Grand Budapest Hotel, The Darjeeling Limited, and The Royal Tenenbaums are chosen from Anderson’s filmography to show that the use of these features has remained constant since his earliest work. Ari asks, “Did you try to sew it back on?” to which Margot drolly replies, “Wasn’t worth it.” Later on in the scene, Margot and Richie are walking together when a pack of cigarettes falls out of her pocket. And Patrick, great referrence to “The Wall,” both scenes are very similar. The use of the song “Needle in the Hay” by Elliott Smith conveys a hauntingly beautiful desperation which suits this scene perfectly. Change ), 2 Responses “The Royal Tenenbaums (Wes Anderson, 2001): “Needle in the Hay” Scene (0:14-2:08 on Youtube)” →, ← Place des Fetes (3rd and 6th body paragraphs). Richie is an exceptional tennis player, Margot (their adopted daughter) is an established playwright, and Chas is a prodigy of business and science. In this scene, they’re all dressed in their typical outfits; Margot wears her fur coat and brown loafers, Chas and his two sons are in their matching red Adidas tracksuits, and Richie is wearing his signature tennis sweatband around his head, sunglasses, and a casual, camel-colored wool suit. And I agree about the silence when the boy enters the room and screams, it is almost as if we are hearing things from Richie’s point, even if we detached from him visually. These elements of Anderson’s cinematic language help draw the viewer into the world of despair inhabited by Richie in slightly over two minutes. Each scene utilizes vivid color schemes, distinct clothing choices for each character, and symmetry to symbolize the deeper meanings behind each part of the film. Lighting Lighting cont... Flashbacks A crucial aspect of the scene Richie Tenenbaum turning on the light Finally "turning on the light" to who he really is The original dark and blue lighting in the scene reflects the mood that Wes Anderson is trying to create As Richie is about Change ), You are commenting using your Facebook account. Anderson didn’t attempt to make the cuts subtle or seamless, but instead made each jump highly noticeable. Ultimately, the creative and carefully though-out camera angles, editing, inescapably bleak mise-en-scène and soundtrack contribute to this beautifully powerful scene, essential to Anderson’s masterpiece. The tempo of the music along with the placement of jump cuts really does give us insight on what Richie is feeling. Rather than simply allowing the events to unfold in real time, Anderson uses rapid jump cuts to imply ellipses in time and flashbacks to divulge to the viewer what is happening inside Richie’s head as he seeks to end his life. I had seen the film a few times before but had always gotten caught up in its awkwardness, which I feel is Wes Andersons signiture style. The song plays through the entirety of the scene and fits in perfectly. Its like we are the passed out man laying on the floor, we wouldn’t even notice that the kid was there if the camera wasn’t showing him to us. ; Awesome Music:. Chas, Ari and Uzi’s outfits are incredibly symbolic of their relationship; Chas is overprotective of his sons and is essentially training them to be smaller versions of himself. Anderson There are two props used in the scene that allow us to get some insight on Margot. Margot is adopted, and through a flashback we see she got her finger accidentally chopped off by an axe when she went to visit her biological country-bumpkin family in Indiana when she was 14. The Tenenbaums occupy a big house in a kind of dreamy New York. In 2001 he publishes “The Royal Tenenbaums”, an absurd tragic-comedy about a family of geniuses who fail and struggle with themselves. He openly … The Royal Tenenbaums by Wes Anderson & Owen Wilson MAIN CAST ... motorcycles, and war scenes with tanks and paratroopers. Tenenbaums was the moment that Wes Anderson really became “Wes Anderson,” when the stylistic quirks of Bottle Rocket and Rushmore solidified into an often-brilliant, fitfully twee filmmaking ethos that rendered him a character right out of one his own movies. The self-centered father, Royal Tenenbaum, has long since been separated from his children and his children have left the Tenenbaum home after reaching adulthood. While looking in the mirror after shaving, there is a quick jump-cut shot of what Richie looked like in the beginning of the sequence, which is incredibly effective in a sense that the viewer gets a full glimpse of how Richie is changing. Rushmore and The Royal Tenenbaums are both very fastidious films—the framing is always neat and foursquare, the action shaped into compact, unitlike scenes (Bottle Rocket, a lyrical idyll disguised as a run from the law, is a looser movie that floats across the screen like a ribbon in the wind). Margot is visibly surprised that he knows she smokes, and afterwards her mother Etheline asks “How long have you been a smoker?” to which Margot replies, “22 years.” The cigarettes are symbolic of Margot’s secret life, and now everyone knows about them. Chas makes up with his father, and Royal shows sympathy for his son's grief as a widower. The Tenenbaums The estranged father of the Tenenbaum family, a lazy and self-absorbed ne'er-do-well and former lawyer. Moss, 2011). I think The Royal Tenenbaums captured Wes Anderson at his high point, and your favorite scene is easily a contender for his best. Richie continues to wear his sweatband even after he quit the sport of tennis, which seemed to hold bad memories for him, as we see in a flashback during this scene. The mirror reflection offers a point of view shot for the viewer. As he cuts, a series of rapid jump cuts create a montage of flashbacks of his pet falcon Mordechai who flew away and never returned, his childhood with Margot and then her as an adult. Ari and Uzi ask what happened to it, and she explains to them. The characters’ costumes in The Royal Tenenbaums rarely change, and each of them have their own distinct style. Upon hearing the news, Ethel immediately walks back towards him. Abusive Parents: Emotionally to all three, and financially to Chaz. The Royal Tenenbaums was a film that was released in 2001. Throughout the scene, the straightforward close up shot of Richie’s face stays darkly lit, though to the right of Richie remains a sliver of light streaming in through the window. 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